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#RRBC @RRBC_RWISA DAY 14 MEET @Jinlobify Joy Lo-Bamijoko -“WOMAN”

Meet RWISA Member Joy Lo-Bamijoko on the 14th Day of the WATCH “RWISA” WRITE Showcase Tour!

 

Please take the time to read Joy Lo-Bamijoko’s story, share comments, like this page and check out her books in the #RWISA catalog.

 

WOMAN

 

He calls me Woman because that’s the way some men refer to their wives in this part of the world. He calls me Woman! But I have a name.

Ngozi is alone in her house. She sits all alone in her well-furnished parlor, on a love sofa, reading a magazine. Beside her on a side table is a glass of red wine from which she sips. Her feet rests comfortably on a beautifully decorated ottoman. Her toenails are not painted, but are well-manicured, so are her fingernails. In front of her, a wide screen television shows a soap opera. The sound is tuned low so she can hear the dialogue as well as hear what is happening around her.  Calm and peace surround her, but not for long.

 

She hears a car pulling stealthily into her open garage. She knows who it is. Her moments of peace and reprieve are over. With haste, she quietly puts everything away; her glass of wine, the wine bottle, her magazine, and she wipes and cleans away the telltale signs like the reclining sofa that shows she was resting. She turns off the television and hurries into the inner room of her house.

 

Emeka walks stealthily into the house with his briefcase, without making any sound, as if to catch the wife in some mischief. He sniffs aroundand scans the house with his eyes looking for her. Everything is spick and span clean, and there are no signs of any mischief in his house. Finding nothing to hold against his wife, he tosses his briefcase onto one of the sofas. He walks to the switch board and puts on the fan, picks up the newspaper, flops down on the sofa, and pulls at his tie to loosen it. He crosses his legand reads his newspaper.

 

Ngozi returns to the parlor with a tray.

 

 “You are back!” She smiles and offers Emeka a glass of water. “Your food is ready,” she says, walking away toward the dining area.

 

You are back, you say.  What do you think, that I won’t be back?” He sucks his teeth and goes to the dining table to eat.

 

She serves him his food.

 

He finishes eating and withdraws to his room … mind you, they sleep in separate rooms—he changes into something comfortable; khaki shorts and a white tee.  He returns to the parlor, sits down again, and reads his newspaper.

 

Ngozi finishes tidying up the dining room and the kitchen and returns to the parlor, sits and picks up her magazine to read.

 

“Have you nothing to do, Woman?” Emeka frowns at her.

 

“Is there anything you want me to do for you?” she fires back without looking up from her magazine. Emeka looks at her with a frown on his face.

 

“What is this new thing about sitting around doing nothing?”

 

“I have finished my work, and I am resting!”

 

“Resting from what? Have you mended the button that fell off my shirt this morning? Have you fixed it?”

 

“Yes.”

 

“And my socks?”

 

“Yes.”

 

Emeka tries to think of something else to say, some job she must have missed, and not coming up with anything, he shrugs. “Well, if you have nothing else to do, find yourself something to do.” He returns to his reading and, at the same time, waits for her to leave.

 

Ngozi doesn’t move. He wants me to leave?! He doesn’t even think of me as his wife. He calls me Woman. As if calling me his wife will give me the respect he isn’t willing to give me; the respect he has always denied me all through this marriage.

 

I know why he calls me Woman. To put me down, way below him, so that he can continue trampling on me.  He knows that as a wife, he will owe me the respect which will allow me to sit here with him, relax and read, if I want. But, as Woman, I will always remain his thing, his toy, his property to be bullied into subjection. I will not leave. Let him do his worse!

 

She sits tight, but alert.  She doesn’t know what her stubbornness this time will trigger, but she sits nervously, waiting for his next move. She fixes her eyes on the magazine, but lowers it enough for her to see Emeka’s movements. She has been on the receiving end before for less than this, with him throwing objects at her or whipping her with his belt.

 

Not anymore! This time, I will fight him if he tries to lay a finger on me.

 

Emeka is also jittery. He is used to being obeyed. He doesn’t understand this new attitude from Woman. After many years and four kids, she should know his likes and dislikes. Why is she being so stubborn? For much less than this, he would have taught her a good lesson. Where is she getting this courage from, enough to challenge him? Our people say that if you come out in the morning and your chicken begins to chase you, you better run because you don’t know whether the chicken grew teeth the night before. Woman has grown more than just teeth, she has grown wings!

 

“Did you hear me Woman?” he growls at her.

 

Woman stands up, slaps her magazine on the small center table, and huffs and puffs as she walks away.

 

Emeka tenses up with a level voice.  “What do you think you are doing, Woman?”  She doesn’t respond and continues to walk away.

 

“Stop!” Emeka shouts.  She stops, turns, her expression questioning. 

 

He fumes. “Can’t you understand that when I come home, I want to rest! I work myself to death from morning till night to provide for you, and when I come home, you will not allow me to rest.”

 

“What have I done? What did I say?”

 

 “You are disturbing me. Do you hear that? You are disturbing me!” he shouts.

 

“What do you want me to do?” Ngozi asks, feigning remorse.

 

Emeka glares at her and holds her gaze for as long as it suits him; then he shrugs and resumes his reading.

 

Ngozi returns to her seat, picks up her magazine, and flips noisily through the pages. Emeka looks at her with a twisted upper lip. He realizes that Woman is looking for a show down.

 

Woman on her part is thinking that after so many years of marriage and four kids, she has earned respect for herself. She deserves, no, she demands to be respected. This house is her house, too. She has every right to enjoy it as much as he does. She works herself too hard cleaning, cooking, and making the house comfortable, for her not to enjoy it, as well.

 

The days are gone when she squirmed at the sound of his car, his voice, his threats. Now, with her children grown, and in position to defend her from their father, she sure has grown wings. Her kids have warned their father of the repercussions of beating their mother ever again. She smiles to herself.

 

He cannot touch me anymore. I have arrived. Is he even sure that he can defeat me in a fight? I know I can beat him! After all, I’m bigger than him. Why should I find something to do when I have nothing to do? What is wrong with sitting down and relaxing? Why should he relax and not me? He doesn’t work more than I do.

 

Emeka stares at Woman some more, and then he gathers his things and walks off. Ngozi does not even raise her head from her magazine.

 

After casually turning another page in the magazine, she says, “My name is Ngozi.”


Thank you for supporting this member along the WATCH RWISAWRITE Showcase Tour today!  We ask that if you have enjoyed this member’s writing, to please visit their Author Page on the RWISA site, where you can find more of their writing, along with their contact and social media links, if they’ve turned you into a fan.  WE ask that you also check out their books in the RWISA or RRBC catalogs.  Thanks, again for your support and we hope that you will follow each member along this amazing tour of talent!  Don’t forget to click the link below to learn more about this author:

 

Joy Lo-Bamijoko RWISA Author Page

 

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#RRBC @RRBC_RWISA DAY 13 MEET @AReeceAuthor Amy Reece – “CRAZY CAT LADY”!

Meet #RWISA Member Amy Reece of the WATCH “RWISA” WRITE Showcase Tour!

Welcome, readers!  Today is the 13th day of the WATCH “RWISA” WRITE Showcase Tour!  This is a 31-day showcase profiling a new RWISA member on 55-60 blogs across the globe.  We hope that you will visit each member’s Author Page and their Author Story and share your comments and LIKE their pages.  You may find their books within the RWISA catalog.

CRAZY CAT LADY

by Amy Reece

 

CAT SITTER NEEDED

$50 CASH—One Night ONLY

Apply in Person

653 Silverwood Ln Apt B

 

Rita looked from the folded newspaper to the small adobe duplex in front of her. Well, here goes. My chances of getting murdered or sold into a sex trafficking ring are pretty good, but I need the fifty bucks. Need might be overstating it, but she wanted to go to the concert and she didn’t have the money for the tickets. Her meager paycheck from her work-study job didn’t stretch much farther than covering the bare essentials. If she wanted any fun money, she had to find other ways to acquire it. She’d done it all: research studies, selling her plasma, modeling for art studio classes. Answering a jinky ad in the college newspaper was nothing. She had left a note in her dorm room telling her slumbering roommate where she was, so at the very least maybe they’d be able to recover her body. She shook off the dark thoughts and approached the house.

A tall, thin elderly woman answered the door. “Yes? How can I help you?”

Rita held up the ad. “I’m here about the cat sitting job.”

“Oh, my dear, yes. Well, come in.” She opened the screen door and stood back to allow Rita to enter.

The living room smelled musty but looked tidy, with sagging, old-fashioned furniture covered with bright, hand-crocheted afghans and doilies. Several cats raised their heads from where they snoozed on the cushions, then lowered them disinterestedly. A tray with a flowered china teapot and matching cups was set on the coffee table.

“Have a seat and I’ll pour you a cup of nice hot tea. It’s so chilly out this evening, isn’t it?”

Rita sat and accepted the cup of steaming tea while she frowned at the woman. “Were you expecting someone else?”

“Oh, no,” the woman said breezily. “I was expecting you.” She smiled as she sipped her tea. “Or someone like you. I put the ad in the paper and I knew someone would be along presently.” More cats of every color had wandered into the room. There had to be nearly fifteen cats winding their way around her feet, perching on the back of her chair, and leaping into her lap.

“Oh.” Rita nodded dumbly and fumbled with the handle of the delicate cup, spilling tea into the saucer.  “So, when exactly do you need the cat sitter?”

“Well, tonight, of course. I need to go visit my sister in Santa Fe. I’ll be back soon after breakfast tomorrow. Now, let me show you where I keep their food.” She reached forward to set her cup on the table.

“But, but,” sputtered Rita, “don’t you want to know about me? About my qualifications?”

The woman laughed lightly. “It’s only feeding a few cats, dear. It’s not rocket science. Come along.” She stood, shooing the cats from her lap, and led the way into the kitchen. “The dishes are here.” She pointed to a row of small ceramic bowls lining a dish drain. “And the food is in this cabinet. They like to eat around nine and then you can wash up.”

“Okay.” Rita nodded and counted the bowls. There were only six. “Do they take turns eating? Should I refill the bowls after the first group eats?”

“I think you’ll find one round is more than enough. Most of these are ghost cats, of course. Poor dears.”

Rita stared at her blankly. “Ghost cats?”

“Yes. They seem to be drawn to me. They just can’t move on quite yet. They’re not like dogs, you know.”

Rita didn’t know. In fact, the only thing she was sure of was that this woman was obviously insane. Ghost cats? What the hell? But fifty bucks was fifty bucks, and if she had to placate a crazy woman to get it, she was glad to. “Great. No problem.”

“Now, feel free to help yourself to anything if you get a little peckish.” She led the way back to the living room, where she picked up a small, old-fashioned train case Rita hadn’t noticed before. “Be sure to lock up after me. Have a good night and I’ll see you early tomorrow.”

Rita stood in the middle of the living room and watched her leave. “Wait! How do I—” she wrenched the door open to ask her final question, but the woman was gone. She stepped onto the porch and looked upon and down the street, noticing red taillights at the stop sign at the far end. She must have had a cab or an Uber waiting. She shrugged and closed the door, locking it as instructed. Then she turned to address the room. “Well, cats and kittens, I guess it’s just us for the rest of the night. At least she keeps this place clean. With this many of you it could really reek.” She’d eaten an early dinner at the cafeteria so she wasn’t hungry. The remote was on a side table, so she grabbed it up and found a cat-free cushion to sit on. The woman didn’t have cable, but Rita managed to find a rerun of a show she enjoyed and sat back to while away the hours until feeding time. The cats, for the most part, minded their own business and left her alone. A few finally crept close enough to sniff her, but then stalked away. She’d never been much of a cat person, so she took no offense. Feeding time went off without a hitch and the woman had been correct: the six bowls were more than enough. Cats came and nibbled, but none cleaned out their bowls. Many of the cats simply came and stared at the food without touching it. Weird. Maybe they are ghost cats.

She got hungry around midnight, but found nothing but a few stale crackers in the cabinet. She took them with her to the couch, pulled one of the crocheted afghans over her legs, and fell asleep watching an infomercial.

The key in the lock woke her the next morning. She sat, rubbing sleep from her eyes.

“Good morning! I’m sorry I woke you. How did everything go last night?” The woman set her train case by the door as she walked in.

“Um, fine. Yeah, everything went great.”

“Oh, good.” She rummaged in her purse for her checkbook and a pen. “Now, I’ll let you fill in your name. Here you go.” She handed her the check.

Rita glanced down at it, noting the spindly handwriting, but satisfied that it was indeed for fifty dollars. Sweet. Easy money. She sat up and folded the afghan and laid it across the back of the sofa. “Thanks. Well, have a nice day.” She waved awkwardly as she let herself out of the apartment. I’ll just swing by the bank and cash this, then stop to buy the concert tickets on my way home.

“Can I help you?” The voice came from the house next door. “What are you doing?”

“Huh?” Rita turned as the woman marched down her front path to confront her.

“Were you in that apartment? How did you get in? That door is supposed to be locked! Oh, I’m going to kill my husband! He never checks!”

“Excuse me?”

“What were you doing in there?”

“No-nothing! I mean, I was watching that lady’s cats for her.” She realized she’d never asked the woman’s name. “She paid me. See?” She held up the check for the other woman.

The woman glanced at the check and frowned. “I don’t know what kind of game you’re playing, but you better get out of here before I call the cops!”

“What are you talking about? I didn’t do anything wrong! I answered an ad in the paper to come and watch that lady’s cats for the night. She paid me fifty dollars. See?” She showed the check to the woman again.

The woman snatched the check from her hand. “Nobody lives there! The woman with all the cats died two years ago! We’ve had a heck of a time getting renters to stay because they swear it’s haunted or some nonsense! Now, if you’re not here about renting the place then I’m going to ask you to leave. Now. Before I call the police.” She glanced down at the check, laughed briefly, and handed it back to Rita.

Rita took the check and looked at it to see what could have made the woman laugh. Her eyes widened as she saw it was not a check at all; it was nothing more than a piece of torn newsprint. It fluttered to the ground as she ran, the woman’s laughter echoing behind her.

 


Thank you for supporting this member along the WATCH RWISAWRITE Showcase Tour today!  We ask that if you have enjoyed this member’s writing, to please visit their Author Page on the RWISA site, where you can find more of their writing, along with their contact and social media links, if they’ve turned you into a fan.  WE ask that you also check out their books in the RWISA or RRBC catalogs.  Thanks, again for your support and we hope that you will follow each member along this amazing tour of talent!  Don’t forget to click the link below to learn more about this author:

 

Amy Reece RWISA Author Page

 

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#RRBC @RRBC_RWISA DAY 12 MEET @LauraLibricz Laura Libricz “DENTON’S DEBBY DOLLS”

Meet #RWISA Member Laura Libricz of the WATCH “RWISA” WRITE Showcase Tour!

Please take the time to read Laura Libricz’s story, share comments, like this page and check out her books in the #RWISA & #RRBC catalogue pages.

 

DENTON’S DEBBY DOLLS

The lunch bell rings and I set my brush aside, returning the unpainted porcelain Debby Doll head to the tray. A kettle whistles. Sarah runs to make the lunchtime tea.

 

“Thirty minutes and that’s all!” Mr. Denton barks at her as he hurries towards his production office, whacking his elbow on the filing cabinet as he slams the glass door shut.

 

The shocked moment of quiet is replaced by the delicate clinking of brushes against glass jars, chairs scraping on the concrete floor, and the idle chatter of the doll painters on their way to the break room.

 

Do you remember Denton’s Debby Dolls? The ones from the 1947 film “Ten Days Till my Birthday,” where Tammy James plays a little girl who got one for her birthday? Denton’s Debby Dolls Inc. make the dolls the same ever since. Tammy is well into her 80’s but is still loved and remembered for that tearful scene where she unwrapped the Debby Doll on her tenth birthday and said, “Well, gee, Mother, all I ever wanted was a Debby Doll!”

 

All I ever wanted was a Debby Doll but I didn’t get one on my tenth birthday. That year I moved from the city to Krumville, to Aunt Fay’s, and she said I was too old for dolls. She was a recovering heroin addict who hung photos of herself dressed as a vampire on all the walls. I was not allowed in the kitchen and had to eat my meals in my bedroom decorated with Aunt Fay photos. She said if I wanted a Debby Doll, I should petition the goddess Diana. I thought she was being funny.

 

Aunt Fay’s house was in the oak forest. She made oak dolls with hair from deer. The deer hair was arranged to look like human hair. She said these were petitions to Diana. Under an oak tree, Aunt Fay had an altar where she buried the dolls. Sometimes she burned them.

 

There were always gunshots in the oak forest. I never went outside that fall. In the city, there was shooting every Saturday night in our neighborhood and I was never allowed out. I don’t remember my city house much. One day Aunt Fay went outside and never came back in. Child Services came and took me away. I was now a ward of the State of New York.

 

What luck, I ended up in the same city as Denton’s Debby Dolls. When I turned eighteen, I went to work in the factory and I still do.

 

“Aren’t you coming to lunch?” Sarah asks.

 

“I’m working on my doll,” I whisper.

 

“Don’t let Mr. Denton see you doing that,” Sarah says. “He’s in a bad way today. I heard we’re 500K down this year. We have orders but there’s no stock. We can’t work fast enough.”

 

“I can tell Mr. Denton that I’m experimenting with new colors on my lunch break, which I am doing.” I stroke my Debby’s porcelain cheek with my pinky. “Look at her complexion. It’s lavender oil and China Pink pigment.”

 

“She’s not real, you know,” Sarah says. “I’ll bring you some tea.”

 

“Tea. Thank you.”

 

A year has passed since I’d first started working on my own Debby. I’d modeled what was to be the hollow shell of her head. Each hand painted layer and each firing was personally carried out by me. Today, I am ready to add the final details and fill her empty eyes. It’s ten days before Christmas. She’ll be my daughter, mine all mine. Mommy loves you, Debby.

 

There had been a man once, just once. He left a few hairs on my gingham pillowcase. And a legacy. My body changed in ways it had never before; swellings in places that had been unripe. Rosy cheeks, like a Debby Doll. I so wanted the child. Although I could not yet feel the child, I could. The growing presence of another life made me feel otherworldly.

 

But I was unmarried, alone, and I would lose my job when the baby came. Panic set in. It must have been eight weeks into the pregnancy when the fever came, followed by some mild cramping. During the night the cramping pulsed and intensified until I finally passed out. The next morning, the otherworldly feeling was gone. My unformed child had been born, its life over before it even began.

 

I forced myself up and out of the house, not wanting to be alone. I was working in the molding department that week and I would bear my child. From Denton’s secret mixture of minerals, bone ash, and alabaster, I poured the liquid clay. Before the first firing, I’d made a small imperfection on her cheek, like a chickenpox scar, so the other workers would reject her. I would always recognize my child. During lunch breaks, I stole moments to paint her face and sneak her head back to the kiln.

 

You’re here with me now, Debby, forever.

 

The lavender oil calms me as I blend your complexion to a natural sheen. I can almost feel your heartbeat. Light brown eye brows are added one hair at a time, your sense of humor. Would you like brown eyes like mine? Each brush stroke to your iris gives you another fleck of depth. Two dots of white on the left side of the iris ascertain your personality. I cover your eyes with high-gloss tears and now you have emotions. The creation process is almost finished.

 

See? I’ve made you a soft pellet body, into which I stitched your preserved mortal remains, hair from your Daddy, and oak bark—my petition to Diana. Your body lies hidden inside the top drawer of my workbench, along with your new gingham dress made from the pillowcase Daddy rested his head on. I forged a certificate from a midwife confirming your birthday, today, and your name, Debby.

 

Mommy’s here, Debby, don’t worry…

 

“What are you working on?” barks Mr. Denton. “Ten days before Christmas and you’re messing around with that B-stock? Those get smashed.”

 

I never saw him come up to my workbench. Debby, don’t cry, I’ll sort Mr. Denton out.

 

“You have a whole tray with these new dolls that have to be painted!” Mr. Denton’s face ran red. “You’ve been messing with that one since I came in!”

 

“Sorry, sir, it’s lunch,” I whispered.

 

Now Debby, be a good girl and get in my top drawer.

 

“You want to hide the thing as well! Is that a pellet body in there? Are you the one out selling B-stock on the weekends?”

 

“No, sir, I…experiment.” We may have to make a run for it, Debby.

 

“So, it is you! I’ve been told there’s a woman on the flea market every weekend with B-Stock Debby Dolls for real cheap. Give me that!”

 

“No, sir, don’t, you don’t understand…”

 

“Tea!” Sarah plunks my unicorn mug onto my workbench, brushes my Debby’s head into my top drawer, and slides it shut with her hip.  She grabs my hand and pulls me up. “Come on, we got pizza and it’s getting cold.”


Thank you for supporting this member along the WATCH RWISAWRITE Showcase Tour today!  We ask that if you have enjoyed this member’s writing, to please visit their Author Page on the RWISA site, where you can find more of their writing, along with their contact and social media links, if they’ve turned you into a fan.  WE ask that you also check out their books in the RWISA or RRBC catalogs.  Thanks, again for your support and we hope that you will follow each member along this amazing tour of talent!  Don’t forget to click the link below to learn more about this author:

 

Laura Libricz RWISA Author Page

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@RRBC_RWISA #RRBC DAY 9 @JHawker69 Ron Yates – “THE LEGEND OF TOKYO ROSE”!

Meet #RWISA Member Ron Yates of the
WATCH
“RWISA” WRITE Showcase Tour.

This is the 9th day of WATCH “RWISA” WRITE Showcase Tour!
Please take the time to read Ron Yates’ story, share comments, like this page and check out his books in the RWISA & RRBC catalogue pages.

 

 

INTRODUCTION

ABOUT THE AUTHOR

During a 27-year career with the Chicago Tribune, much of it as a foreign correspondent in Asia and Latin America, I encountered my share of remarkable and unforgettable stories.

Some came out of the horrendous suffering I witnessed while covering the wars in Vietnam, Cambodia, and Afghanistan. Others were generated by the bloody revolutions in Guatemala and El Salvador. Still others sprang from the wrenching political upheavals I reported on in places like The Philippines, Brazil, China and South Korea.

But there is one story in my journalistic career that I treasure above all the others. That is the story of a Japanese-American woman named Iva Toguri. You probably don’t recognize the name and if you don’t, that is perfectly understandable.

You and millions of other Americans know her by another name: “Tokyo Rose.”

That’s right, “Tokyo Rose.” The so-called “Siren of the Pacific” who sat before a microphone in Tokyo and told GIs on a 25-minute show called “The Zero Hour” that their homes, their girl-friends and even apple pie weren’t worth fighting for. Tokyo Rose, the legendary “seductress of the short wave,” whose broadcasts between 1943 and 1945 for Radio Tokyo were meant to demoralize the American fighting man and undermine his will to fight.

Remember all those World War II era movies with GIs gathered around short wave radios listening to a sultry “Tokyo Rose” intone such phrases as: “Come on boys, give up. You haven’t got a chance against the Imperial Japanese Army. Why throw your lives away?”

There’s just one problem. There was no “Tokyo Rose.” Nor were there ever any treasonous broadcasts like the ones described above. At least not by Iva Toguri.

Following is her remarkable and poignant story and my involvement in it.

***

THE LEGEND OF TOKYO ROSE

By Ronald E. Yates

 It was the summer of 1941 and for a young California woman named Iva Toguri it was a time filled with promise and endless possibilities.

 

The previous June Iva had graduated from UCLA with a bachelor’s degree in zoology, she had a shiny Chrysler, and she was planning on attending graduate school in the fall so she could begin a career as a medical researcher or perhaps even a doctor.

 

The daughter of hardworking Japanese immigrants, Iva had been brought up to be a confident, optimistic American. And why not? After all, she was born in Los Angeles on the 4th of July–and you can’t get more American than that.

 

But in the summer of 1941 the world was not a place that could easily match the hopes and expectations of a 25-year-old UCLA graduate.

 

In Europe, a war was raging and the forces of Adolf Hitler’s Third Reich occupied or controlled most of the continent. In Asia, Imperial Japan, under the leadership of a clique of hardcore militarists, was in control of China, the Korean Peninsula, Taiwan and a segment of the South Seas ceded to it after World War I.

 

Conflict and discord were the prevailing truths of the day, and as Iva Toguri stood on the brink of her future an ominous cloud of world war hung in the warm summer air.

 

Thus it was not without some trepidation that Toguri’s ailing mother asked Iva to represent the American side of the Toguri family at the bedside of a dying aunt in Tokyo. It was a bit risky, but someone had to go; and on July 5, 1941, one day after her 25th birthday, Iva was on a slow boat to Japan. She spoke no Japanese, had never been to Japan and had never met her aunt.

 

It would be a fateful journey, one that would alter Iva Toguri’s life forever and eventually introduce to the world one of its most enduring and erroneous myths: The Legend of “Tokyo Rose.”

 

Less than five months after arriving in Japan and not long after her sick aunt had recovered, Japanese warplanes swooped down on a place called Pearl Harbor. For Iva Toguri and millions of others, the future went from bright to black in a matter of moments. And the lights would not come back on until August 1945, when Japan surrendered.

 

But for Iva Toguri, the war did not end in 1945 as it did for so many others. Four years later Iva Toguri would stand in a San Francisco courtroom, one of only a few American women ever convicted of treason. In the minds of millions of Americans Iva Toguri was the one and only “Tokyo Rose,” the name American GIs in the Pacific had given to several women radio announcers who played scratchy Glenn Miller and Benny Goodman records during propaganda radio shows broadcast in English from Tokyo and elsewhere in Asia.

 

Iva’s conviction on just one of eight counts of treason came despite the testimony of G.I.s who called the Radio Tokyo “Zero Hour” broadcasts she made morale boosters and despite evidence which showed she was just one of 13 English-speaking women announcers broadcasting from Tokyo at the time. Another 14 women had broadcast from cities throughout Asia and the Pacific that were occupied by the Imperial Japanese Army.  Interestingly, not one of them called herself “Tokyo Rose.”  (The only radio alias Iva Toguri ever used during her 15-minute segment of popular music was the name “Orphan Ann” because, as she often said during her broadcasts, she was an announcer who had been orphaned in Tokyo by the war.)

 

Not even the absence of a written record or an electronic recording of the single “treasonous” broadcast she was supposed to have made stopped her conviction. That broadcast came after a crushing U.S. Naval victory in Leyte Gulf of the Philippines in which she allegedly said:

 

“Orphans of the Pacific, you really are orphans now. How will you get home now that all your ships are sunk?”

 

Most Americans listening to that would have seen through the facetious tone of those words, no matter who said them, and understood that it was a broadcast meant more for members of the defeated Imperial Japanese Navy than for the victorious U.S. Navy. Even more important, however, was the fact that Iva never said those words.

 

Nevertheless, in 1949 in a San Francisco Federal courtroom as she, her family and her corps of defense attorneys led by the late Wayne Mortimer Collins looked on, Iva was sentenced to 10 years in prison and a $10,000 fine. She served six years and two months of her sentence in the Alderson Federal Reformatory in West Virginia which would much later house Martha Stewart. But more importantly her conviction sentenced Iva Toguri to a life of disgrace and deep inner pain that only those falsely accused and convicted can ever understand.

 

Some vindication came in a series of exclusive stories I reported and wrote in 1976 while serving as the Chicago Tribune’s Tokyo Bureau Chief and Chief Asia Correspondent.

 

Two key prosecution witnesses, after 27 years of silence, wanted to ease their consciences. They admitted to me that they were forced by U.S. Justice Department and FBI officials to lie, tell half-truths and withhold vital information at the trial. It was on the basis of their coerced and false testimony that the jury had found Iva guilty. (Article 3 of the Constitution states that treason shall consist only in levying war against the United States or in giving aid and comfort to its enemies and that conviction may be had only on the testimony of two witnesses to the same overt act or on confession in open court).

 

The two witnesses, Kenkichi Oki and George Mitsushio—both California-born Japanese-Americans—were Iva’s superiors on Radio Tokyo’s “Zero Hour” radio program. Oki was the show’s production manager and Mitsushio was program director. Oki and Mitsushio testified they had heard Iva make the so-called “Orphans of the Pacific” broadcast about Leyte Gulf in October 1944 when in fact she never did.

 

The “Zero Hour” was produced under coercion by Allied prisoners of war, and while the Imperial Japanese government saw it as a way to broadcast propaganda to American GIs fighting in the Pacific, the POWs and Iva saw it as a way to sabotage the Japanese war effort.

 

That’s the way the occupation forces of Gen. Douglas MacArthur saw it too when on April 17, 1946, following 11 months of Iva’s incarceration in Tokyo’s Sugamo prison along with such Class A Japanese war criminals as former Prime Minister Hideki Tojo, the U.S. Army Legal Section issued the following report:

 

“There is no evidence that Iva Toguri ever broadcast greetings to units by name and location, or predicted military movements or attacks, indicating access to secret military information and plans.”

 

Then, in October 1946 a U.S. Justice Department investigation of Iva concluded:

 

“Iva Toguri’s activities, particularly in view of the innocuous nature of her broadcasts, are not sufficient to warrant prosecution for treason.”

 

It was obvious that the U.S. authorities in Tokyo were willing to let bygones be bygones. And they were willing to accept the reasons for Iva Toguri’s voluntary participation in the Zero Hour show: that like most of the 10,000 Japanese-Americans stranded in Tokyo during the war, she had taken the job to sustain herself while she was basically a hostage in a hostile environment.

 

Furthermore, she had been assured by the American and Australian POWs who wrote the scripts she read, that she was doing nothing unpatriotic–and indeed that what they were doing might even help the allied war effort.

 

That was especially important to Iva, because unlike all the other Japanese-Americans who participated in the Zero Hour broadcasts, she had steadfastly refused to give up her American citizenship, despite being threatened and pushed to do so by Imperial Japan’s dreaded “kempeitai” secret police. In fact, her pro-American sentiments often got her into arguments with Japanese members of the Zero Hour staff. On several occasions she risked arrest and even death to smuggle food and medical supplies to Allied POW’s in Tokyo.

 

In 1948, Iva petitioned to return to the United States and Chicago, where her family had resettled following the war.

 

When word leaked out that the notorious “Tokyo Rose” was trying to reenter the United States, much of the U.S. press took exception. Radio columnist Walter Winchell unleashed a series of broadcasts attacking then U.S. Atty. Gen. Tom Clark for “laxness” in dealing with “Tokyo Rose.” Pressure steadily built on the Truman administration to “make an example” of somebody. That “somebody” was to be Iva Toguri.

 

It made no difference that Iva Toguri bore no resemblance in appearance or deed to the fictitious and seductive Oriental woman American G.I.s fantasized about while sitting in their jungle foxholes. Nor did the fact that U.S. Occupation forces already had investigated Iva and cleared her of any activity that could be construed as treasonous.

 

It was an election year and the administration of President Harry S Truman could not afford to be seen as being soft on alleged wartime spies and turncoats. Atty. Gen. Clark dispatched investigators to Tokyo to look into the Tokyo Rose case. They found that Iva Toguri was the only person associated with the “Zero Hour” show who was still an American citizen and hence, still subject to U.S. law. So Clark began to build a case against Iva and told justice department attorney Tom de Wolfe to “prosecute it vigorously.”

 

In 1945 Iva had married Filipe J. d’Aquino, who was born in Yokohama of a Portuguese father and a Japanese mother. In 1948 the couple’s child, who Iva desperately wanted to be born in the United States, died at birth. The two remained together until her conviction and then, following decades of forced separation, they divorced in 1980. After Iva’s release from prison, she could not get a U.S. passport to travel and d’Aquino, while in San Francisco for the trial, had been told by the FBI never to return to the United States, “or else.”

 

The case against Iva Toguri was flimsy at best. Something had to be done to strengthen it. So FBI agents in Tokyo rounded up all of those involved in the “Zero Hour” broadcasts and applied the kind of pressure that most any Japanese-American at the time could understand.

 

“We had no choice,” Oki told me in 1976 after I had convinced him and Mitsushio to meet me in Tokyo. “The FBI and U.S. Occupation police told us we would have to testify against Iva or else they said Uncle Sam might arrange a trial for us too—or worse.  We were flown to San Francisco from Tokyo and along with other government witnesses, we were told what to say and what not to say two hours every morning for a month before the trial started.

 

“Even though I was a government witness against her, I can say today that Iva Toguri was innocent: she never did anything treasonable…she never said the words that got her convicted,” Oki said. “It was all a lie. Iva never had a chance. And all I can say now is that I am truly sorry for my part in her conviction. I hope she can find it in her heart to forgive us.”

 

My stories containing details of Oki and Mitsushio’s confession of perjury, as well as interviews with her former husband Phil d’Aquino and others who had worked with Iva on the Zero Hour, appeared in March 1976 and were carried around the world.

 

On January 19, 1977, President Gerald Ford, in his last official act in office, granted Iva Toguri a full and unconditional pardon. While the historic pardon was an attempt to correct the injustice done to Iva Toguri, the individual, it also served to raise awareness of the unfair treatment Japanese-Americans received at the time from the federal and some state governments.

 

The fact Iva Toguri became the first person in American history to be pardoned following a treason conviction, speaks volumes about her own indomitable spirit and the determination of those who supported her crusade for justice, say leaders in the Japanese-American community.

 

Others say the pardon also says something about the deeply-ingrained sense of fair play that permeates American society and which manifests itself, albeit sometimes belatedly, in the media, the courts and, in Toguri’s case, the White House.

 

July 4, 2006 marked Iva Toguri’s 90th birthday and for almost 65 of those 90 years she had to live with the myth that she was “Tokyo Rose.”

 

Some vindication came in January 2006 in a quiet, private ceremony held in a restaurant on Chicago’s north side when Iva received the Edward J. Herlihy Citizenship Award from the World War II Veterans Committee. (Herlihy was a radio broadcaster who was known as the “Voice of WW II” for his narration of Universal Newsreels). It was a twist of irony not lost on those in attendance.

 

I was privileged to be one of those invited to the ceremony, along with members of Iva’s family and a handful of close friends like former CBS news anchor Bill Kurtis, who has known Iva since the late 1960s, and Hollywood producer Barbara Trembley, who is working to produce a major feature film about Iva and her struggles.

 

Iva pushed back tears as she accepted the award.

 

“This is such a great honor,” she said. “For so many years I wanted to be positive about this whole thing. I wanted to honor my father and my family. They believed in me through all the things that happened to me. I thank the World War II Veterans Committee for making this the most memorable day of my life.”

 

In 1991 Iva and I met in the same restaurant. She had invited me to dinner to thank me for the series of stories I had written that resulted in the Presidential pardon. Incredibly, even though Iva and I were linked by the stories I had written we had never met face to face.

 

“You know, if it hadn’t been for your stories I never would have received my pardon,” Iva told me. “I would still be a criminal. You started the ball rolling. And now, after all this time, I just want to say thank you. It’s long overdue.”

 

I hadn’t come to dinner in search of any recognition or thanks. I just wanted to meet the woman whose story had fascinated me years before and sent me on a search for the truth. I wanted finally to separate the woman from the myth; to detach Iva Toguri the person from “Tokyo Rose” the World War II caricature. I wanted to meet the woman that fertile G.I. imaginations had turned into some torrid kimono-clad Mata Hari.

 

The woman sitting across from me was certainly no Mata Hari. Here was a woman with kind eyes, a gracious smile and an admirable ability to put things into perspective.

 

“I’ve put all that behind me now,” Iva said, speaking of her ordeals in wartime Tokyo, in San Francisco’s federal court, and in prison.

 

“I’m only sorry that my father never lived to see me pardoned. He died in 1972. But he believed in me until the end.

 

“‘I’m proud of you Iva,’ he used to tell me. You were like a tiger…you never changed your stripes…you stayed American through and through.’”

 

“Am I bitter? No, what good does it do to be bitter?” Iva said. Then she thought for a moment. There were exceptions to that blanket forgiveness.

 

“In your stories Oki and Mitsushio asked for my forgiveness. But how could I ever forgive them for what they did to me?”

 

Both Oki and Mitsushio are dead now, as is Iva, who passed away in 2006 at the age of 90.

 

During one of our many meetings, Iva told me that her biggest wish was to have her story told accurately someday in a film or play. There have been a few books written—most of them unauthorized—about Iva’s ordeal, but they have done little to set the record straight.

 

“People tend to remember a story when it is dramatized and told in a theatrical way,” she said. “As for a book, I would like to tell my story in my own words.”

Iva may finally get her wish. A play about the Legend of Tokyo Rose is currently in the works and I plan to write a book using Iva’s first person narrative based on hundreds of hours of recorded interviews and my personal notes.

 

Finally, after years of disappointment and heartbreak, Iva’s story will be told the way she wanted it told—truthfully and conscientiously.

 

But most important, the Legend of Tokyo Rose will finally be put to rest along with other historical myths and deceptions such as Big Foot, the Piltdown man, and the Loch Ness Monster.

 

My only regret is that Iva will not be here to experience her vindication.


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